(Hypomnemata, 87.) ἀδικημάτων μεγάλων ἀφορμὰς παρεῖχε. αἰσθανόμενοι δὲ οἱ ἱππεῑς ἀντὲλεγον καὶ ὰπῄτησαν αὐτόν. Request Permissions. page 135 note 3 Ach. 3. It was conventional in Old Comedy for the chorus to speak on behalf of the author during an address called the parabasis and thus some biographical facts can be found there. Aristophanes' personal attacks against Cleon and others and demonstrates that many of the conventional features of iambic invective are at work in comedy as well. In fact, his plays are the main source of information about him and his life. Aristophanes satirizes him again in Peace , which follows Cleon’s demise, staged days before the Peace of Nicias was ratified. Total loading time: 0.371 page 133 note 3 Ibid 27. page 132 note 3 Plut. From fear of Cleon’s faction, no mask-maker dared to make a copy of his face for the play, and Aristophanes bravely resolved to play the part himself, merely painting his own face. Pp. 17 Bakhtin 1981.213. These supplements have covered a broad range of topics, from key figures like Homer and Virgil, to subjects such as Greek tragedy, thought and science, women, slavery, and Roman religion. Aristophamic Comedy 149. dream as a good sign, the latter sarcastically offers to hire the former as a dream. Aristophanes’ main complaint against Cleon, apart from his being an uncouth arriviste who came up through the leather trade, is that he dishonourably claimed credit for another man’s victory: Demosthenes complains that when he “baked a rich Laconian cake at Pylos”, Cleon snuck in and stole it, presenting it to their master as his own. Pp. It should not worry us that in the 420’s Cleon … Further Reading on Cleon. What was Aristophanes' main reason for attacking Cleon? "metricsAbstractViews": false, 126–7). 3, ὃς δοκεῑ μάλιστα διαφθεῑραι τὸν δῆμον ταῑς ὁρμαῖς, καὶ πρῶτοςἐπ;ὶ τοῦ βήματος ἀνέκραγε καὶ ἐλοιδορήσατο καὶ περιωσάμενος ἐδημηγόρησε. © 1956 The Classical Association Although its content is of interest to professional scholars, undergraduates and general readers who wish to be kept informed of what scholars are currently thinking will find it engaging and accessible. for this article. }, https://doi.org/10.1017/S0017383500015151. To give only two examples, Aelian mentions the story (citing Critias as his authority) that Cleon was in debt when he entered politics but died worth 50 to 100 talents, and the scholiast on Lucian described Cleon as being ‘venal to excess’. If Cleon had prosecuted him, Aristophanes will have had a particular reason to dislike Cleon; but there is enough consistency between the plays to suggest that Aristophanes generally disliked upstart demagogues like Cleon and was gentler in his treatment of leaders from an upper-class background, and we can see the same kind of man behind his portrayal of Cleon and that byThucydides (cf. page 132 note 6 Ibid. "shouldUseHypothesis": true, In this course, Dr Rosie Wyles (University of Kent) provides a critical study of three plays of Aristophanes – The Acharnians (425 BC), The Knights (424 BC) and Peace (421 BC) – in their theatrical, religious, social, and political context. page 133 note 5 v. 16. Access supplemental materials and multimedia. page 132 note 7 Ibid. The 2016 Election Is Literally Aristophanes’ Knights. That Aristophanes is defining Penia's relationship to mankind, in the course of Penia's attempt to reestablish it, is made clear near the agdn's end, when Penia answers Chremylus' question, why, if she im- proves men, they are also so determined to flee her (575)? page 135 note 1 Eq. This paper, delivered at a recent seminar on Aristophanes' Wasps in Chieti (13 December 2018) argues that what Cleon represents has changed over the last few years, as has the significance of the late 5th-century Athenian democratic experiment, However, these facts relate almost entirely to his career as a dramatist and the plays contain few clear and unambiguous clues about … 6, βιαιότατος τῶν πολιτῶν τῷ τε δήμῳ … πιθανώτατος. The purpose of this article is to examine the belief that Cleon, the fifth-century Athenian demagogue, was not only violent and relentless but also venal and dishonest, and made money out of politics by taking bribes and misappropriating public funds. "newCiteModal": false, Aristophanes and Thucydides on Cleon [edit | edit source] The character of Cleon is represented by Aristophanes [1] and Thucydides [2] in a very unfavourable light, justifiable considering he instilled a feeling of mistrust within Athens through a kind of Athenian " McCarthyism " caused by the excessive number of informants he employed to keep a watchful eye on the city. Paper, DM 24. page 135 note 4 Meritt, B. D., Wade-Gery, H. T., and McGregor, M. F., The Athenian Tribute Lists (Cambridge, Mass., 1939), i. However, there is no reason to believe that Cleon stole any credit from Demosthenes nor that the two were. All Rights Reserved. Yet, both have been suspected of being prejudiced witnesses: The playwright Aristophanes had a grudge against Cleon, who may have accused him before the Council of having ridiculed (in his lost pla… 141, 152.Google Scholar, page 135 note 5 παρὰ τῶν νησιωτῶν ἒλαβε πέντε τάλαντα ὁ Κλέων, ἵνα πείσῃ τοὺς' Αθηνα ίους κουφίσαι αὐτοὺς τῆς εἰσφορᾶς. 18 Bakhtin 1968.434. Aristophanes - Aristophanes - Peace: This play was staged seven months or so after both Cleon and Brasidas—the two main champions of the war policy on the Athenian and Spartan sides, respectively—had been killed in battle and, indeed, only a few weeks before the ratification of the Peace of Nicias (March 421 bce), which suspended hostilities between Athens and Sparta for six uneasy years. Aaron … Either way, he started competing at the major Athenian festivals in his early 20s… viii + 96. Read your article online and download the PDF from your email or your account. μέμνηται. 66 I. WORTHINGTON. For the iambos see Nagy 1979.243-52; Gentili 1988.107-14 and 179-96; Miller 1989.9-50. Pericles, for example, was (through his mother Agariste) a member of the family of the Alcmeonids and presented himself both as a speaker in the assembly and as a general (strategos). Aristophanes was a prolific and much acclaimed comic playwright of ancient Greece, sometimes referred to as the Father of Comedy.Eleven of his forty plays have come down to us virtually complete (along with up to with 1,000 brief fragments of other works), and are the only real examples we have of a genre of comic drama known as Old Comedy. Published online by Cambridge University Press: 2. Athens had become a democracy at the end of the sixth century, but in the fifth century, it still mattered whether a politician belonged to one of the old noble families or not. 2, ν ὁ πόλεμος τοῦ μὲν ἀπεκρύπτετο τὴν κακίαν, τοῦ δὲ τὴν ἀρέτην ἐκόσμει. page 133 note 2 Ibid.
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